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UP CIS

Resident Faculty

Ramon G. Guillermo, PhD

Professor

Guillermo, R.G.(2025). Karampátan ñg Tao : Tracing the Rise of Tagalog Human Rights Discourse Using a Textual Corpus. Southeast Asian Studies, Vol. 14, No. 2, 245‐280. DOI: 10.20495/seas.25002. https://englishkyoto-seas.org/2025/08/vol-14-no-2-ramon-guillermo/

Guillermo, R. G. (2023). ’Pagsasariling atin’: the project of an autonomous social science tradition (ASST) and the challenge of scientometrics. Third World Quarterly DOI: 10.1080/01436597.2023.2206013

Guillermo, R. G. (2023). Magkunkuno ti Makina: Python Code for the Computer‐Assisted Reading of Hanunuo Mangyan Ambahan. Philippine Studies: Historical and Ethnographic Viewpoints, 71(2), 177–210.

Guillermo, R. G. (2022). Ang Kris ni Lapulapu at ang Unang Sirkumnabigasyon ng Daigdig. UNITAS, 95(3), 1‐27. https://digilib.ust.edu.ph/digital/collection/unitas/id/65717

Guillermo, R. G. (2023). ’Pagsasariling atin’: the project of an autonomous social science tradition (ASST) and the challenge of scientometrics. Third World Quarterly DOI: 10.1080/01436597.2023.2206013

Raymond A. Macapagal

Assistant Professor

Macapagal, R.A. & Mannod F.D. (2025). It’s Lipog, not Bayah: Resisting dominant orthographies in a field validation of the Batad Ifugao Dictionary. In S.B. Acabado & M.M. Martin (Eds.), More indigenous than we admit: Rethinking encounter, histories, and the politics of indigeneity, pp. 175-187. Quezon City: Vibal Foundation, Inc.

Macapagal, R.A. (2025). Initial Validation of the Attitudes Toward Transgendered Individuals Scale in the Philippines. Philippine Journal of Psychology.

Macapagal, R.A. (in press). Sabaw and sharing: Bamboo cooking and the communality of Indigenous foodways. In M. Fenix (Ed.), Savoring sunshine: a celebration of Filipino flavors and traditions. Manila: NCCA.

Sarah Jane S. Raymundo

Assistant Professor

Raymundo, S., “Sa mga guho ng imperyalismo,” “ Timeline ng Pakikibakagn Palestino,” “Lantad Kumplisidad (2025). Pagka’t Kami Man Ay May Sampaga:New Philippine Writing and Translation for a Free Palestine” Barrios et al eds. Gantala Press: Quezon City

Ramiro, R., & Raymundo, S. (2025). How U.S. imperialism blackmails the world with nuclear weapons, from Hiroshima to today. Mondoweiss.

Raymundo, S., (2024). Modalities of the Sacred in the Lumad Struggle for Sustainabilities and Futures. Agrarian South: Journal of Political Economy, 13(2), 238-255. https://doi.org/10.1177/22779760241252304

Raymundo, S., “International Solidarity against US Counterinsurgency”” (on Venezuela) in Sanctions as War Davis, 2022. S. and Ness, M. eds. Netherlands: Brill

Raymundo, S. “”The Jakarta Method, Then and Now: US Counterinsurgency and the Third World.” Monthly Review Vol. 74. No. 2. 2022.

Amparo Adelina C. Umali, III, PhD

Professor

“Pilak Tanghal: Ebisu Mai,Noong Unang Panahon, Ugoy ng Duyan: Bunraku Puppet Dances with the UPCIS Bunraku Ensemble Concept and Direction with Choreographers: Lui Seneres and Edith Gordoncillo
August 8, 2025 MC College Building Miriam College, July 31, 2025 and August 31, 2025, UPCIS

“Special Japan Cultural Night” featuring the Masters of Noh, Concept and Artistic Direction with Umewaka Takayuki, Noh Master for Shite of the Kanze School, Narita, Hirohito, Noh Master for Flute of the Isso School, Takahashi Naoko, Noh Master for Shoulder Drum, Okura, Eitaro, Noh Master for Hip Drum of the Okura School, Nakata, Kazuha, Noh Master for Stick Drum and the UPCIS Noh Ensemble with a Lecture: Understanding Noh Theater: An Introduction. 2022.

“Putri Anak, Isang Bagong Komedya” Concept and Direction with The UP Dance Company and UP Tugma,Verne de la Pena, Musical Director, Angel Lawenko-Baguilat and Jeremy de la Cruz, Choreographers and Co-Directors, GT Toyota Auditorium University of the Philippines Diliman August 23-25, 2017; Tanghalang Aurelio Tolentino (Little Theatre) Cultural Center of the Philippines April 9, 2017.

“Cedula sa BGC, Isang Kontemporanyong Noh” Concept. Script and Direction with The UPCIS Noh Ensemble and Yoji Isso, Iemoto, Isso School of Noh (Flutist), Shigeji Omura, Okura School of Noh (Otsuzumi Drummer), Naohiko Umewaka, Kanze School of Noh (Principal Actor), University Theatre Stage, University of the Philippines Diliman, August 26-27, 2016.

Umali, Amparo Adelina C. ; Umewaka, Naohiko ; Casari, Matteo. (2018) Nō Theater and Cultural Diplomacy. With a Glimpse into Philippine Practices. Bologna: University of the Philippines, Shizuoka University of Art and Culture, University of Bologna, p. 207. ISBN 9788898010882. DOI 10.6092/unibo/amsacta/6034. In: Arti della performance: orizzonti e culture (11). A cura di: Casari, Matteo ; Guccini, Gerardo.

Ramon G. Guillermo, PhD

Professor and Head of Unit

Raymond A. Macapagal

Assistant Professor

Sarah Jane S. Raymundo

Assistant Professor

Amparo Adelina C. Umali, III, PhD

Professor

Ramon G. Guillermo, PhD

Professor and Head of Unit

Education

Fields of Specialization

Raymond A. Macapagal

Assistant Professor

Education

Fields of Specialization

Sarah Jane S. Raymundo

Assistant Professor

Education

Fields of Specialization

Amparo Adelina C. Umali, III, PhD

Professor

Education

Fields of Specialization